The gallery
Six interconnected bodies of work, moving between observation, abstraction and memory. This is an editorial selection, not a live inventory.
These works explore the meeting places between land and water, solidity and movement, presence and absence. Forms emerge at the edge of recognition, drawn from observations of the natural world and transformed through colour, rhythm and abstraction.
These works consider what remains — fragments of natural forms, remembered places and fleeting impressions. Familiar forms are broken apart, reassembled and reduced to colour, line and rhythm, allowing memory and association to become part of the image.
About this body of work
Repetition, movement and pattern become a way of observing and remembering. These works trace the rhythms found in nature — in water, vegetation, shells, fields and organic forms — translating them into layers of line, colour and mark.
These works are grounded in particular landscapes and environments, but are less concerned with literal representation than with the feeling of being somewhere. Colour, memory, atmosphere and observation combine to create an emotional sense of place.
Botanical forms become a starting point for exploring transformation, structure and perception. Flowers, leaves and pods are observed, deconstructed and reimagined through colour, line and layered form.
A collection of observations and playful encounters drawn from everyday life. These works allow curiosity, humour and spontaneity to sit alongside the more contemplative aspects of the practice.